In my research project I focus on the markets and fans of Japanese popular culture in Finland. In relation to the Internet Usage Survey I have also taken a quick glance at Internet in the lives of the fans.
In the Internet Usage Survey those respondents who say that they are very interested in Japanese popular culture, are also heavy users of the Internet. However, what we don’t know of them is that which was first: Japanese popular culture or the Internet. In other words, did they happen to grow interested in Japanese popular culture while already constantly hanging around in the Internet? Or did they - through friends, television or the Internet – get interested in the subject most plentifully available in the Internet and because of this become heavy users of the Internet?
This might seem like a mundane and irrelevant issue, but there are some reasons why it would be interesting or even important to know.
Fans and fan communities are often seen as leaders in Internet and other new media usage, forming a new participatory culture. Since fandom as such, even these days, is often considered as something suspicious or deviant, focusing on the active Internet usage of fans can be a redemptive project, an attempt to justify the fandom itself.
Thomas LaMarre (2007) emphasizes that some Japanese writers who have discussed the otaku-culture (or the hard-core popular culture fandom in Japan) tend to exaggerate the importance of the media on the expense of the fact that for many (male) otaku the affect is not the media, but in fact the woman, that can be reached - if not in real life, then at least - through the media. I tend to agree with LaMarre, and consider his point to be applicable in wider perspective as well.
Based on my research material, the Internet for the Japanese popular culture fans is a source of information, a way to take part in fan communities, a shopping center (for both legal and illegal material) and place for publishing different types of fan productions. The focus of interest and feelings, the affect for the fans, is not the Internet itself, but the world of Japanese popular culture that opens up through the Internet.
What about those respondents who in the Internet Usage Survey stated that they are very interested in Japanese popular culture?
We have no way of knowing which was first for them, based on the questions of this survey alone. To find that out, we should go and ask again.
Katja Valaskivi
University of Tampere